Exhibition loves this type of one-night-only stuff, and there will only be more alternative programming in the future (it was already happening via Fathom, pre-pandemic). Fantastic ticket sales here in Los Angeles, San Francisco, Dallas, Houston, Chicago, Toronto, Vancouver, Sacramento, and Sat Lake City. The concert film even beat The Batman in 55 locations, and was a No. However, Trafalgar Releasing’s Saturday night stunt, BTS Permission to Dance on Stage – Seoul Live Viewing did great business, with $6.8M at 803 theaters in 170 markets, with an $8,5K theater average.
If you forgot what the experience was like to laugh and cheer with a crowded theater ( Deadpool?), those movies were a screaming reminder.Ī post shared by Zoë Kravitz Turning Red’ Disneyĭespite the pandemic calming down and the mask mandate easing in Los Angeles and New York, the middle of the box office is filled largely with holdovers. If those were test screenings last night, judging from the shared non-stop laughs between both films, it’s easy to project that the sky is the limit on both films. Down here in SXSW, the back-to-back world premieres of Paramount’s Sandra Bullock-Channing Tatum movie The Lost City, and Lionsgate’s Nicolas Cage action satire The Unbearable Weight of Massive Talent, played like gangbusters at Austin TX’s Paramount Theatre. Look around you: Moviegoing is returning the only thing missing is arguably more product.
Nicolas Cage arrives for the world premiere of “The Unbearable Weight of Massive Talent” at the Paramount Theatre during SXSW. However, we’re hearing that ticket sales are broadening out to non-format auditoriums. Imax and PLF drove 26% of Batman‘s second frame. No box office winnings streak goes on forever, even ones involving Batman.Warner Bros Pictures Names Michele Imperato Stabile President of Worldwide Physical Production By the time its worldwide box office run was finished, "Batman & Robin" grossed $238.3 million globally - nowhere near enough to mitigate the project's $125 million budget and a noticeable step down from the last three live-action "Batman" movies. It didn't help that this new "Batman" movie opened up against major titles like "Face/Off" and "Men in Black." While "Batman" in 1989 managed to stand out even when competing against projects like "Ghostbusters II," a more divisive film like "Batman & Robin" was crushed by its enormous blockbuster competition. Such plunges were so severe that Ed Mintz of CinemaScore even declared the film's second-weekend plummet as a sign that the "Batman" franchise was finished on the big screen (via Entertainment Weekly). The audience response turned out to be so negative that the film suffered significant weekend-to-weekend drops in North America. However, "Batman & Robin" became a noticeable box office dud that was plagued by disastrous word of mouth.
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